Cover image for Spring : [a novel] / Ali Smith.
Title:
Spring : [a novel] / Ali Smith.
ISBN:
9781101870778
Edition:
First United States edition.
Publication Information:
New York : Pantheon Books, [2019]
Physical Description:
339 pages ; 22 cm.
General Note:
Subtitle from jacket.
Abstract:
What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times? Spring. The great connective. With an eye to the migrancy of story over time and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tell the impossible tale of an impossible time. In a time of walls and lockdown, Smith opens the door. The time we're living in is changing nature. Will it change the nature of story? Hope springs eternal.-- Publisher's description.
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Summary

Summary

What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times?

Spring. The great connective.

With an eye to the migrancy of story over time and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tell the impossible tale of an impossible time. In a time of walls and lockdown, Smith opens the door.

The time we're living in is changing nature. Will it change the nature of story?

Hope springs eternal.


Author Notes

Ali Smith was born in 1962 in Inverness. She is a Scottish writer. She studied at the University of Aberdeen and then at Newnham College, Cambridge, for a PhD. She worked as a lecturer at University of Strathclyde until she fell ill with Chronic Fatigue Syndrome. Following this she became a full-time writer[4] and now writes for The Guardian, The Scotsman, and the Times Literary Supplement.

In 2007 she was elected a Fellow of the Royal Society of Literature. Smith was appointed Commander of the Order of the British Empire (CBE) in the 2015 New Year Honours for services to literature. Her short story colection includes: Free Love and Other Stories, The Whole Story and Other Stories, and The First Person and Other Stories. Her novels include: Like, Hotel World, The Accidental, Girl Meets Boy, There But For The, and How to Be Both. She was short listed for the Folio Prize 2015. She won the 2015 Baileys Women's Prize for Fiction for her novel How to be Both.

(Bowker Author Biography)


Excerpts

Excerpts

Now what we don't want is Facts. What we want is bewilderment. What we want is repetition. What we want is repetition. What we want is people in power saying the truth is not the truth . What we want is elected members of parliament saying knife getting heated stuck in her front and twisted things like bring your own noose we want governing members of parliament in the house of commons shouting kill yourself at opposition members of parliament we want powerful people saying they want other powerful people chopped up in bags in my freezer we want muslim women a joke in a newspaper column we want the laugh we want the sound of that laugh behind them everywhere they go. We want the people we call foreign to feel foreign we need to make it clear they can't have rights unless we say so. What we want is outrage offence distraction. What we need is to say thinking is elite knowledge is elite what we need is people feeling left behind disenfranchised what we need is people feeling. What we need is panic we want subconscious panic we want conscious panic too. We need emotion we want righteousness we want anger. We need all that patriotic stuff. What we want is same old Scandal Of The Alcoholic Mothers Danger Of The Daily Aspirin but with more emergency Nein Nein Nein we need a hashtag #linedrawn we want Give Us What We Want Or We'll Walk we want fury we want outrage we want words at their most emotive antisemite is good nazi is great paedo will really do it perverted foreigner illegal we want gut reaction we want Age Test For 'Child Migrants' 98% Demand Ban New Migrants Gunships To Stop Migrants How Many More Can We Take Bolt Your Doors Hide Your Wives we want zero tolerance . We need news to be phone size. We need to bypass mainstream media. We need to look past the interviewer talk straight to camera. We need to send a very clear strong unmistakable message. We need newsfeed shock. We need more newsfeed shock come on quick next newsfeed shock pull the finger out we want torture images. We need to get to them we need them to think we can get to them get the word lynching to anyone not white. We want rape threats death threats 24/7 to black / female members of parliament no just women doing anything public anyone doing anything public we don't like we need How Dare She / How Dare He / How Dare They . We need to suggest the enemy within . We need enemies of the people we want their judges called enemies of the people we want their journalists called enemies of the people we want the people we decide to call enemies of the people called enemies of the people we want to say loudly over and over again on as many tv and radio shows as possible how they're silencing us. We need to say all the old stuff like it's new. We need news to be what we say it is. We need words to mean what we say they mean. We need to deny what we're saying while we're saying it. We need it not to matter what words mean. We need a good old slogan Britain no England / America / Italy / France / Germany / Hungary / Poland / Brazil / [insert name of country] First . We need the dark web money algorithms social media. We need to say we're doing it for freedom of speech. We need bots we need cliche we need to offer hope. We need to say it's a new era the old era's dead their time's over it's our time now. We need to smile a lot while we say it we need to laugh on camera ha ha ha thump man laughing his head off hear that factory whistle at the end of the day that factory's dead we're the new factory whistle we're what this country's needed all along we're what you need we're what you want.         What we want is need.         What we need is want.      That time again, is it? (Shrugs.)         None of it touches me. It's nothing but water and dust. You're nothing but bonedust and water. Good. More useful to me in the end.         I'm the child who's been buried in leaves. The leaves rot down: here I am.         Or picture a crocus in snow. See the ring of the thaw round the crocus? That's the door open into the earth. I'm the green in the bulb and the moment of split in the seed, the unfurl of the petal, the dabber of ends of the branches of trees with the green as if green is alight.         The plants that push up through the junk and the plastic, earlier, later, they're coming, regardless. The plants shift beneath you regardless, the people in sweatshops, the people out shopping, the people at desks in the light off their screens or scrolling their phones in the surgery waiting rooms, the protesters shouting, wherever, whatever the city or country, the light shifts, the flowers nod next to the corpseheap and next to the places you live and the places you drink yourselves stupid or happy or sad and the places you pray to your gods and the big supermarkets, the people on motorways speeding past verges and scrubland like nothing is happening. Everything is. The flowerheads open all over the flytip. The light shifts across your divides, round the people with passports, the people with money, the people with nothing, past sheds and canals and cathedrals, your airports, your graveyards, whatever you bury, whatever you dig up to call it your history or drill down to use up for money, the light shifts regardless.         The truth is a kind of regardless.         The winter's a nothing to me.         Do you think I don't know about power? You think I was born green?         I was.         Mess up my climate, I'll fuck with your lives. Your lives are a nothing to me. I'll yank daffodils out of the ground in December. I'll block up your front door in April with snow and blow down that tree so it cracks your roof open. I'll carpet your house with the river.         But I'll be the reason your own sap's reviving. I'll mainline the light to your veins.         What's under your road surface now?         What's under your house's foundations?         What's warping your doors?         What's giving your world the fresh colours? What's the key to the song of the bird? What's forming the beak in the egg?         What's sending the thinnest of green shoots through that rock so the rock starts to split? Excerpted from Spring: A Novel by Ali Smith All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.