Cover image for Y is for yesterday / Sue Grafton.
Y is for yesterday / Sue Grafton.
First G.P. Putnam's Sons premium edition.
Publication Information:
New York : G.P. Putnam's Sons, 2018.
Physical Description:
543 pages ; 19 cm.
General Note:
"A Marian Wood book."


Call Number
Material Type
Home Location
GRA Paperback Adult Paperback Mystery / Suspense Fiction

On Order



Private investigator Kinsey Millhone confronts her darkest and most disturbing case in this #1 New York Times bestseller from Sue Grafton.

The darkest and most disturbing case report from the files of Kinsey Millhone, Y begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate--and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns state's evidence and two of his peers are convicted. But the ringleader escapes without a trace.

Now it's 1989 and one of the perpetrators, Fritz McCabe, has been released from prison. Moody, unrepentant, and angry, he is a virtual prisoner of his ever-watchful parents--until a copy of the missing tape arrives with a ransom demand. That's when the McCabes call Kinsey Millhone for help. As she is drawn into their family drama, she keeps a watchful eye on Fritz. But he's not the only one being haunted by the past. A vicious sociopath with a grudge against Millhone may be leaving traces of himself for her to find...

Author Notes

Sue Grafton was born in Louisville, Kentucky on April 24, 1940. She received a bachelor's degree in English literature from the University of Louisville in 1961. Her first novel Keziah Dane was published in 1967. Her second novel, The Lolly-Madonna War, was published in 1969 and she adapted it into a screenplay. After that movie was released in 1973, she worked intermittently writing for television. A series she created, Nurse, ran for two seasons on CBS in the early 1980s.

Her writing career took off when A Is for Alibi was published in 1982 and received the Mysterious Stranger Award. This was the beginning of the Kinsey Millhone Mystery series. B Is for Burglar won the Shamus and Anthony Awards and C Is for Corpse won the Anthony Award. She also received the Cartier Diamond Dagger, the Mystery Writers of America Grand Master Award, a Lifetime Achievement Award from Bouchercon, and the Ross Macdonald Literary Award. She died from cancer on December 28, 2017 at the age of 77.

(Bowker Author Biography)

Reviews 3

Publisher's Weekly Review

In Grafton's penultimate Kinsey Millhone alphabet mystery, actor Kaye provides the perfect tough but feminine, self-effacing voice for the series' protagonist. 1989 is drawing to a close when Kinsey, working as a private eye, agrees to help her new clients, Lauren and Hollis McCabe deal with an extortionist. Their son, Fritz, has just completed a 10-year stint in a county youth prison for murdering a female classmate. The extortionist is demanding $25,000 to keep an old sex video, starring Fritz and an underage girl, from sending him back behind bars. The novel alternates between 1979, when Fritz and his despicable, entitled private school friends drift from a cheating scandal to the brutal killing, and Kinsey's search for the extortionist among Fritz's former peers, whom age has not improved. Kaye effortlessly takes listeners through Kinsey's sleuthing, repeating her voices for regulars, like octogenarian landlord Henry Pitts and the crazed Ned Lowe, and smoothly creating vocal characterizations for newcomers. Self-absorption is the key to her interpretations of the awful class of 1979. The well-born boys sound properly loutish, the overprivileged girls, emotional and surly. Only a skillful actress could make them sound so unappealingly entitled. A Putnam/Wood hardcover. (Aug.) © Copyright PWxyz, LLC. All rights reserved.

New York Review of Books Review

I'M going TO miss Kinsey Millhone. Ever since the first of Sue Grafton's Alphabet mysteries, "A Is for Alibi," came out in 1982, Kinsey has been a good friend and the very model of an independent woman, a gutsy California P.I. rocking a traditional man's job. The refreshing thing about Kinsey is that she doesn't pretend to be fearless when she's scared out of her wits. "I was not one of those defiant female types determined not to let a man threaten my peace of mind," she says wryly in Y IS FOR YESTERDAY (Marian Wood / Putnam, $29) after checking the four-inch space under her sofa bed for the vengeful killer who's stalking her. Grafton hasn't been coasting through the last letters of the alphabet; in fact, the plot of this new book is a complicated affair straddling two time periods and featuring players who manage to be equally unpleasant in both. In the current day (it's 1989 in Kinsey's world), the challenge is to find the person blackmailing the mother of Fritz McCabe, who has just been released from prison after serving time for the murder of a classmate at his private school back in 1979. Although Grafton seems to have put a lot of effort into this subsidiary narrative, the spoiled brats who get into serious trouble simply aren't worth worrying (or reading) about. Grafton is on safer ground with Kinsey's blackmail assignment, which involves some tricky detective work and features the usual cast of wonderful secondary characters. Pearl White, a shameless moocher who sets up a pup tent in the backyard and takes brazen advantage of Kinsey's landlord, is as good as they get. So is a mutt named Killer, who plays a key role in the story. But it's Kinsey herself who keeps this series so warm and welcoming. She's smart, she's resourceful, and she's tough enough to be sensitive on the right occasions, whether that means comforting a mother who's lost her only child or getting teary-eyed over an arthritic old dog who painfully rouses himself to greet her. If only more of the humans around Kinsey were as nice as the dogs. OPEN HART HANSON'S first novel, THE DRIVER (Dutton, $26), and meet the great guys who work at Oasis Limo Services. Lucky is an Army veteran who's stable enough to drive a car, but as an immigrant with phony papers (and an observant Muslim), he's got to watch his back. Ripple, a 19-yearold who lost most of both legs in Afghanistan, is the dispatcher, when he's not drawing violent cartoons. Tinkertoy, a genius with all things mechanical, has a scary case of post-traumatic stress paranoia. And then there's Michael Skellig, the former Army Special Forces sergeant who owns the business. Skellig is relatively sane, but he does hear the voices of men he's killed in battle and can't help wondering why they're so helpful. One of those voices ("troubletroubletroublebadtrouble") leads him into a near-death experience that saves the life of his client, a "Wunderkind skateboarding hip-hop mogul" who promptly tries to acquire Skellig for his entourage. Hanson's plotting is ragged and formulaic, but his storytelling voice is off the charts: blunt, morbid, morally indignant and furiously funny. FAIR WARNING: The title of Colin Cotterill's latest, the rat catchers' OLYMPICS (Soho Crime, $26.95), refers to a vivid fictional side event at the Summer Olympic Games held in Moscow in 1980. Since much of the free world is engaged in a boycott, the Soviet Union has extended a fully underwritten invitation to its socialist satellites. Delirious with joy at its good fortune, the impoverished Lao People's Democratic Republic musters up some country boys, innocent of athletic form and shoes, and sends them off on a hilarious, if perilous, adventure. Dr. Siri Paiboun, Laos's former national coroner and the eccentric amateur detective in Cotterill's surreal series, talks his way onto the delegation, which proves providential when a member of the shooting team disappears, replaced by a ringer. But the best fun is at the events themselves, watching the Laotian teams being cheered on by their raucous international supporters - even though that competitive side event offers their best chance at winning a medal. YOU COULD DRIVE yourself crazy trying to figure out who wrote what in CRIME SCENE (Ballantine, $28.99), a collaboration between Jonathan Kellerman and his son, Jesse Kellerman, who's written some good stuff of his own. (One hint: An interview with Dr. Alex Delaware must come from Kellerman pere, since that character figures in his own long-running series.) The amateur detective here is the narrator, Clay Edison, a meticulous and highly principled deputy coroner. Acting on his strong professional suspicion, Edison hesitates to rule the sudden death of Walter Rennert an accident without poking around in the man's life (and medicine chest). And when Rennert's daughter insists that her father was murdered, Edison has an authentic excuse to meddle. So who wrote what? Don't ask me. But whoever came up with the fine line, "When I meet new people, they're usually dead," should pat himself on the back. ? Marilyn STASIO has covered crime fiction for the Book Review since 1988. Her column appears twice a month.

Library Journal Review

For the 25th installment of her alphabet series, Grafton intertwines crimes set ten years apart, in 1979 and 1989. In a multi-layered narrative, clever and street-smart Kinsey Millhone solves both. In 1979, four teenage boys sexually assault a 14-year-old classmate-and film the attack. The tape disappears, and the suspected thief, a fellow classmate, is murdered. One of the boys turns state's witness, and two of his peers are convicted, but the fourth-the ringleader-escapes. Now it's 1989, and one of the perpetrators, Fritz McCabe, has been released from prison. When a copy of the missing tape arrives with a ransom demand, his parents call Kinsey for help. Judy Kaye continues to provide exceptional narration. VERDICT Essential listening for series fans. Detective fiction with similar strong female detectives and fine narrators includes novels by Nevada Barr, Linda Barnes, Marcia Muller, Laura Lippman, and Sara Paretsky. ["Kinsey's fans may have to take notes to keep up with her as she untangles a web of lies and cover stories to solve the current blackmail case as well as the older murder": Xpress Reviews 7/21/17 review of the Putnam hc. The alphabet might have to end at Y, as -Grafton died on December 28, 2017.-Ed.]-Sandra C. Clariday, Cleveland, TN © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



1 The Theft January 1979 Iris stood at the counter in the school office, detention slip in hand, anticipating a hand-smack from Mr. Lucas, the vice principal. She'd already seen him twice since her enrollment at Climping Academy the previous fall. The first time, she'd been turned in for cutting PE. The second time, she'd been reported for smoking outside study hall. She'd been advised there was a smoking area set aside specifically for students, which she argued was on the far side of campus and impossible to get to between classes. That fell on deaf ears. This was now early January and she'd been reported for violating the school's dress code. She was willing to admit that detention slips were a poor means of establishing her place in a new school. The younger students wore uniforms, but in the upper grades, clothing was at the discretion of the individual student as long as the overall look was considered within bounds. The way Iris read it--no skirts or dresses with hemlines above the knee, no tank tops, no shorts, no T-shirts with slogans, no underwear showing, and no flip-flops or Doc Martens. As far as she was concerned, she was playing by the rules. She'd assumed she could wear anything she pleased, within reason, of course. Climp had a different point of view. In the minds of the school administrators, clothing was meant to show modesty, respect, conservatism, and seriousness of purpose. Her choice that morning had been an ankle-length claret-colored velvet dress with a ruffled collar, long sleeves, black tights, and high-top red tennis shoes. Her hair was long and thick, a color that fell somewhere between auburn and flame red thanks to a mixture of boxed dyes. Two big silver barrettes held the mass away from her face. On each wrist she wore a wide leather cuff, studded with brass and silver nail heads. As it turned out, all of this was a great big no-no. Well, shit. The school secretary, Mrs. Malcolm, acknowledged Iris's presence with a nod, but clearly the woman didn't intend to interrupt her work over the antics of a problematic ninth grader. She was busy distributing mail to various teachers' cubbyholes. A student volunteer, Poppy, was stapling together packets of some sort. Iris was a freshman at Climping Academy, the Santa Teresa private school located in Horton Ravine, which was so la-di-da, it totally freaked her out. She was only at Climp because her father had been hired to teach advanced placement math and to coach field hockey. The tuition was twenty thousand dollars a year, which her parents could never have afforded if not for her father's job, which allowed Climp to waive the cost of enrollment. The last high school she'd attended was in a "mixed" neighborhood in Detroit, which was to say, drugs, thugs, and vandalism, some of which Iris had generated herself when the mood struck her. She'd been uprooted from Michigan and plunked down on the West Coast despite her protests. California was a bust. She expected surfers, dopers, and free spirits, but it was all the same old shit as far as she could tell. Climping Academy was beyond belief. Enrollment from kindergarten to twelfth grade was three hundred students total, with a pupil-to-teacher ratio of nine to one. Expectations were high and most of the students rose to the occasion. And why would they not? These were all rich kids, whose mommies and daddies gave them the best of everything: trips abroad, unlimited clothing budgets, private tennis and fencing lessons, and weekly visits with a shrink--the latter just in case some boob was gifted with a brand-new VW instead of the BMW he had his heart set on. Big boo-fucking-hoo. Her parents often expressed doubts about her private school attendance, citing the pressure to conform and the dangers of materialism. Her parents fancied themselves Bohemians. One look at her outfit and her homeroom teacher, Mrs. Rubio, had informed her she'd have to go home and change, and when she told Mrs. Rubio she had no transportation, the woman had suggested she take a bus. Like, huh? Iris didn't know anything about bus schedules, so what was she supposed to do? Unlike most of the other students, she didn't live in snooty old Horton Ravine. Moving from Michigan to California had been a shock, the sticker prices for homes being exorbitant. Her parents had purchased a shabby rambling house on the Upper East Side with a mortgage that would keep them enslaved for life. How Bohemian was that? Iris was an only child. Her parents had never wanted children in the first place, a sentiment they were happy to remind her of at the drop of a hat. Her mother, at the age of ­twenty-five, went in to have her tubes tied against medical advice, and ­discovered she was pregnant. Husband and wife had agonized over whether to terminate, and in the end they decided it was acceptable to have one child. Often in Iris's hearing, they congratulated themselves on their parenting style, which consisted largely of instilling independence in the girl, meaning an ability to entertain herself and demand precious little. Her mother had a degree in political science and was currently teaching part time at Santa Teresa City College. She also volunteered two afternoons a week at an abortion clinic, where she felt it was incumbent on her to champion reproductive rights, women's control over their own bodies, and the advisability of women keeping their options open instead of burdening themselves with unwanted offspring. Meanwhile, having witnessed the sophistication of Horton Ravine, Iris was embarrassed by the way she was forced to live. On the home front, her parents favored clutter and disarray--imagining perhaps that untidiness and intellectual superiority walked hand in hand. Iris couldn't remember the last time the three of them sat down to a meal. Dishes were left in the sink since neither her mother nor father could be bothered with such things. Dusting and vacuuming were too mundane to address. Laundry went undone. If one of them broke down and actually washed and dried a load, it was left in a pile on the living room sofa to be reclaimed as needed. Iris did her own. Her parents believed it was exploitative of the lower classes to hire household help, so those chores were best left a-begging. They were also committed to the notion of equality between the sexes, which spawned an unspoken competition to see who could force the other to knuckle under and pick up the slack. Iris's bedroom was the only orderly room in the house and she spent most of her free time there isolated from the chaos. Mr. Lucas appeared in the doorway to his office indicating that she should come in. He was a good-looking man, low-key, relaxed, and competent. His hair was the color of California beach sand, his face nicely creased. He was tall and trim, given to cashmere vests and dress shirts with the sleeves rolled up. He tossed a file on his desk and took a seat, lacing his fingers above his head. "Mrs. Rubio has lodged an objection to your outfit," he remarked. "You look like you're on your way to the Renaissance Faire." "Whatever that is," she said. "This is the third detention you've been cited for since you arrived. I don't understand this pattern of defiance." "Why is it a pattern when I've only done two things wrong?" "Counting today, that makes three. You're here to learn, not to do battle with school authorities. I'm not sure you appreciate the opportunity you've been given." "I don't give a shit about that," she said. "All my friends are back in Detroit. With all due respect, Mr. Lucas, Climping Academy sucks." She saw that Mr. Lucas was prepared to ignore her bad language, probably thinking the issue of trash talk was not what was at stake. "I went back and looked at your records. At your last school, you did good work. Here you've set yourself on a collision course. You miss your friends. I get that. I'm also aware California isn't an easy place to live if you're accustomed to the Midwest, but you keep on acting out, you're only hurting yourself. Does that make sense to you?" "So what's the deal? Three demerits and I'm out?" He smiled. "We don't give up as easily as that. Like it or not, you're here three more years. We want the time to be pleasant and productive. You think you can handle that?" "I guess." She studied the floor. For some reason, she was stung by his tone, which was kind. His concern seemed genuine, which made it all the worse. She didn't want to fit in. She didn't want to adapt. She wanted to go back to Detroit, where she knew she was accepted for who she was. In that moment, Iris realized she had violated her own working strategy in situations like this. The trick was to look abject and give a lengthy explanation for the infraction, which might or might not be true. The point was to fill the air with verbiage, to apologize at least twice, sounding as sincere as possible for someone who didn't give a rat's ass. The secret was to put up no resistance whatever, a technique that had worked well for her in the past. Resistance only fueled the lecture, encouraging the adult-types to pontificate. She murmured, "What about my clothes? I don't drive, so there's no way I can go home and change." "Now, that I can help you with. Where do you live?" "Upper East Side." "Hang on a minute." He got up from his desk and crossed to the door to the school office, which he opened, sticking his head out. "Mrs. Malcolm, can you do me a favor and let me borrow Poppy for half an hour? Iris needs a ride home. Upper East Side. There and back, thirty minutes max." "Of course. If it's all right with her." "Sure. Happy to." Iris could feel her heart start to bang in her chest. Poppy was one of the most popular girls at Climp, operating at such an elevation that Iris barely had the nerve to speak to her. She was close to panic at the idea of being in a moving vehicle with her for even ten minutes, let alone thirty. Once in the parking lot, Poppy turned to her with a grin. "Cool threads, kid. I wish I had your nerve." The two got into Poppy's Thunderbird. Once Iris slammed the car door, she reached into her bag and pulled out a vintage Lucky Strike cigarette tin, filled with tightly rolled joints, at which Iris was adept. "Care to partake?" "Oh, shit yes," Poppy said. That had been January and the two had been inseparable since. To Iris's credit, she was a model of good behavior for the next three months. Every afternoon, they repaired to Poppy's house, ostensibly to study, but actually to smoke dope and raid Poppy's parents' liquor cabinet. Iris was a genius at concocting mixed drinks, utilizing what was available. Her latest she called a "flame thrower," which entailed Kahlúa, banana-flavored liqueur, crème de menthe, and rum. Poppy's parents didn't drink rum. That bottle was held in reserve should a guest request it. Poppy's father was a thoracic surgeon, her mother a hospital administrator, which meant long hours for both and a pre­occupation with medical matters, gossip as much as anything else. Poppy's two older sisters had graduated from college. One was now in medical school and the other was working for a pharmaceutical company. The whole family was high-profile and high-achievement. Poppy was an oopsie baby--a surprise addition to the family, arriving long after Poppy's mother assumed she'd been liberated from diapers, teething, pediatricians, PTA meetings, and soccer practice. Iris and Poppy had that in common, their alien state. It was as though both had been deposited by spacecraft, leaving the mystified earthlings to raise them as best they could. Most of the time the two girls were on their own, ordering pizza or any other foodstuff that could be charged to a credit card and delivered to Poppy's door. At least she could drive and she often delivered Iris to her house at ten at night. Iris's parents never said a word, probably grateful she had a friend whose company she preferred to theirs. In April, Iris was dumbfounded when she received yet another summons to the vice principal's office. What'd she do this time? She hadn't been called out on anything and she felt put upon and unappreciated. She'd been doing her best to blend in and behave herself. Even Mrs. Malcolm seemed surprised. "We haven't seen you for a while. What now?" "No clue. I'm tooling along minding my own business and I get this note that Mr. Lucas wants to see me. I don't even know what this is about." "News to me as well." Iris took a seat on one of the wooden benches provided for the errant and unrepentant. She had her books and her binder in hand so that once she was properly dressed down, she could report to her next class, which in this case was world history. She opened her binder, pretending to check her notes. She was careful to show no interest in the secretary's disbursement of manila envelopes, but she knew what they contained: the Benchmark California Academic Proficiency Tests. These were administered at the beginning and end of junior year, designed to measure each student's mastery of math and En­glish. Poppy had been bitching for weeks about having to perform up to grade level or suffer the indignities of remedial catch-up work. Under certain circumstances, the test results would determine whether a junior was even allowed to advance to senior year. Iris wondered if there was a way to get her hands on a copy. Wouldn't that be a coup? Poppy was her best friend, a diligent student, but not all that bright. Iris could see her limitations, but overlooked her deficits in the ­interest of her status at Climp. Poppy's boyfriend, Troy Rademaker, was in somewhat the same boat. His grades were excellent, but he didn't dare risk anything less than top marks. He attended Climp on a scholarship it was essential to protect. In addition, he and Austin Brown were among the nominees for the Albert Climping Memorial Award, given annually to an outstanding freshman, sophomore, junior, and senior based on academic distinction, athletic achievement, and service to the community. Austin Brown was the unofficial but equally undisputed kingpin of the junior class, much admired and equally feared for his scathing pronouncements about his classmates. Poppy wasn't conventionally pretty, but she was stylish and well-liked. Schoolwork was her curse. She was one of those borderline cases where year after year, teachers had talked themselves into passing her along without requiring a command of core subjects. This had always worked to Poppy's advantage, keeping her in lockstep with classmates she'd known since kindergarten. The problem was that grade by grade, she'd been advanced on increasingly shaky grounds, which meant the work only became harder and more opaque. Now Poppy alternated between feelings of frustration and feelings of despair. Iris's role, as she saw it, was to take Poppy's mind off her scholastic woes, thus the dope-smoking and junk food. Excerpted from Y Is for Yesterday by Sue Grafton All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.