Cover image for Switched / Amanda Hocking.
Switched / Amanda Hocking.
1st St. Martin's Griffin ed.
Publication Information:
New York : St. Martin's Griffin, 2012.
Physical Description:
ix, 318 p. ; 22 cm.
General Note:
Original publication and copyright date: 2010.
When Wendy Everly was six years old her mother was convinced she was a monster and tried to kill her, and eleven years later Wendy learns that her mother was right and that she is actually a changeling troll, who, at the age of seventeen, must be returned to her rightful home.


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HOC Paperback Teen Collection

On Order



Amanda Hocking is an indie publishing sensation whose self-published novels have sold millions of copies all over the world, and Switched is the book that started the phenomenon. Prepare to be enchanted...

When Wendy Everly was six years old, her mother was convinced she was a monster and tried to kill her. Eleven years later, Wendy discovers her mother might have been right. She's not the person she's always believed herself to be, and her whole life begins to unravel--all because of Finn Holmes.

Finn is a mysterious guy who always seems to be watching her. Every encounter leaves her deeply shaken...though it has more to do with her fierce attraction to him than she'd ever admit. But it isn't long before he reveals the truth: Wendy is a changeling who was switched at birth--and he's come to take her home.

Now Wendy's about to journey to a magical world she never knew existed, one that's both beautiful and frightening. And where she must leave her old life behind to discover who she's meant to become...

As a special gift to readers, this book contains a new, never-before-published bonus story, "The Vittra Attacks," set in the magical world of the Trylle.

Author Notes

Amanda Hocking was born on July 12, 1984. She is an author who garnered a following by self-publishing many of her young adult novels. Her works include Virtue, the My Blood Approves series, the Trylle Trilogy, the Hollows series, and the Watersong series. Her title Frostfire made The New York Times Best Seller List.

(Bowker Author Biography)

Reviews 2

Publisher's Weekly Review

When she was six, Wendy Everly's mother tried to kill her, proclaiming her a monster who had replaced her real child. Eleven years later, new student Finn tells Wendy she really is a changeling (Mom was right!), and he's arrived to take her to her real home with the Trylle, a tribe of beautiful trolls with special powers. Hunted by a rival tribe, Wendy agrees. As she gets to know her birth mother and prepares for her debutante ball, Wendy finds her new life isn't all it's cracked up to be. Tapping into the YA zeitgeist of alienation and forbidden love, Hocking's self-published Trylle trilogy was an e-book bestseller. Packaged with a bonus short story (not seen by PW), this melodramatic fantasy tickles many of the same fancies as the Twilight books and has already established a devoted fan base. But while Hocking grabs readers early on, thinly drawn, enigmatic characters with deliberately poor communication and a flair for high school-style drama stall the story's momentum. The plotting recovers, but the last chapter simply sets up the sequel, Torn, which pubs in February. Agent: The Axelrod Agency. Ages 12-up. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.

New York Review of Books Review

AT the time of its first official paperback release, "Switched," by Amanda Hocking, the much-celebrated darling of self-publishing, will already have sold more than a million copies. Hocking's rise to self-publishing stardom has been so well chronicled - The New York Times Magazine did a lengthy profile of her and her success in the e-book market - that it's impossible to read "Switched" outside the context of its already gargantuan success. As a result, the question of its value, and whether the book is any good, gets entangled with the question of whether it merits all the hype. The answer is complex and could be posed of practically any of today's most commercial writers. "Switched" is heavy on story and light on style, and Hocking takes advantage of the most common conventions of the genre rather than defying them. She knows how to keep readers turning the pages; and she generates suspense by carefully, if artificially, controlling how and when certain answers are revealed. "Switched" is the story of Wendy Everly, who discovers at 17 that she is actually a troll (or a "Trylle," per Hocking's nomenclature), thus proving correct her mother's longtime assertion that she is a changeling. Exchanged with a human baby as an infant, attacked and nearly killed by a mother who recognizes her for what she is, Wendy is raised by a foster family until she is recalled by Finn, a kind of ambassador of the troll community, known as a "tracker." The premise, though not a first (Brenna Yovanoff's "Replacement," released in the fail of 2010, features a main character who discovers he is a changeling), is at least not derivative of two dozen Y.A. predecessors. Trolls are certainly an underexploited portion of the marketplace, largely because in popular imagination, and simply put, trolls aren't sexy. Of course, in Hocking's world - and for her book to work - trolls are actually beautiful, thin and "foxy." The only similarity these Trylle bear to the trolls of, say, the Three Billy Goats Gruff story, is a slight greenish cast to the skin, mentioned only in passing. But ultimately, originality isn't the point; in "Switched," Hocking riffs on the conventions of the paranormal teenage and romance genres. Actually, riffing - which suggests subtlety and subversion - may be the wrong term. This is stripped down, heavy-beat, pop-set stuff: big on hook, low on nuance, more Justin Bieber than Adele. It's "The Princess Diaries" meets "Twilight," and Hocking hits all the commercial high notes, with a cheerful disregard for description and character evolution. There is the misfit protagonist girl and the brooding, semi-creepy boy with a penchant for showing up just in time to rescue her from trouble. There is forbidden love, and multiple males vying for the attention of a seemingly unremarkable heroine, who is, in fact, a princess. Förening, the community of trolls that Hocking creates, is interesting in its social and political makeup, especially the relationship between the "switched" trolls and their human counterparts. The reasons for the practice of switching are more than a little murky - there is evidently an economic incentive, though since the Trylle can perform limited magic and seem much smarter than the humans they pump for cash, it's not clear why this should be the case. But Hocking skirts glibly over the details. In any case, "Switched" is escapist fantasy; it isn't the specificity of the world that matters here; it's the accessibility. Even the unremarkable writing (Hocking defines clothes as "high-class fashion pieces" and her newfound mansion as having "as many guest rooms as a Holiday Inn, only ... a whole lot fancier") serves to make transparent and penetrable to teenage readers a fundamentally appealing world: Förening is a wealthy suburb on steroids - the embodiment of the American dream, albeit one populated by trolls, and particularly enticing at a time when the American dream has failed so many. What teenager hasn't felt like a freak, a changeling in his or her own family? Who doesn't fantasize about being transformed from ordinary to extraordinary, of being whisked away to another life where the very things that are irritants in the "regular" world, that keep us from being loved and appreciated (bad hair, bad attitude, sensitive stomach), turn out to reveal our specialness? In its reliance on formulaic motifs and its subordination of style to story, "Switched" has much in common with the folklore tradition. After all, Hocking cut her teeth and honed her skills disseminating her work via the modern-day equivalent of the campfire, as the direct descendant of the word-of-mouth wondertales that were formerly transmitted via trading routes and traveling bards. The difference is that now, the sharing occurs with a click, a link, an e-mail forward.



ONE   home Drool spilled out across my desk, and I opened my eyes just in time to hear Mr. Meade slam down a textbook. I'd only been at this high school a month, but I'd quickly learned that was his favorite way of waking me up from my naps during his history lecture. I always tried to stay awake, but his monotone voice lulled me into sleeping submission every time. "Miss Everly?" Mr. Meade snapped. "Miss Everly?" "Hmm?" I murmured. I lifted my head and discreetly wiped away the drool. I glanced around to see if anyone had noticed. Most of the class seemed oblivious, except for Finn Holmes. He'd been here a week, so he was the only kid in school newer than me. Whenever I looked at him, he always seemed to be staring at me in a completely unabashed way, as if it were perfectly normal to gawk at me. There was something oddly still and quiet about him, and I had yet to hear him speak, even though he was in four of my classes. He wore his hair smoothed back, and his eyes were a matching shade of black. His looks were rather striking, but he weirded me out too much for me to find him attractive. "Sorry to disturb your sleep." Mr. Meade cleared his throat so I would look up at him. "It's okay," I said. "Miss Everly, why don't you go down to the principal's office?" Mr. Meade suggested, and I groaned. "Since you seem to be making a habit of sleeping in my class, maybe he can come up with some ideas to help you stay awake." "I am awake," I insisted. "Miss Everly--now." Mr. Meade pointed to the door, as if I had forgotten how to leave and needed reminding. I fixed my gaze on him, and despite how stern his gray eyes looked, I could tell he'd cave easily. Over and over in my head I kept repeating, I do not need to go the principal's office. You don't want to send me down there. Let me stay in class . Within seconds his face went lax and his eyes took on a glassy quality. "You can stay in class and finish the lecture," Mr. Meade said groggily. He shook his head, clearing his eyes. "But next time you're going straight to the office, Miss Everly." He looked confused for a moment, and then launched right back into his history lecture. I wasn't sure what it was that I had just done exactly--I tried not to think about it enough to name it. About a year ago, I'd discovered that if I thought about something and looked at somebody hard enough, I could get that person to do what I wanted. As awesome as that sounded, I avoided doing it as much as possible. Partially because I felt like I was crazy for really believing I could do it, even though it worked every time. But mostly because I didn't like it. It made me feel dirty and manipulative. Mr. Meade went on talking, and I followed along studiously, my guilt making me try harder. I hadn't wanted to do that to him, but I couldn't go to the principal's office. I had just been expelled from my last school, forcing my brother and aunt to uproot their lives again so we could move closer to my new school. I had honestly tried at the last school, but the Dean's daughter had been intent on making my life miserable. I'd tolerated her taunts and ridicules as best I could until one day she cornered me in the bathroom, calling me every dirty name in the book. Finally, I'd had enough, and I punched her. The Dean decided to skip their one-strike rule and immediately expelled me. I know in large part it was because I'd resorted to physical violence against his child, but I'm not sure that was it entirely. Where other students were shown leniency, for some reason I never seemed to be. When class finally ended, I shoved my books in my book bag and left quickly. I didn't like hanging around after I did the mind-control trick. Mr. Meade could change his mind and send me to the office, so I hurried down to my locker. Bright-colored flyers decorated battered lockers, telling everyone to join the debate team, try out for the school play, and not to miss the fall semiformal this Friday. I wondered what a "semiformal" consisted of at a public school, not that I'd bothered to ask anyone. I got to my locker and started switching out my books. Without even looking, I knew Finn was behind me. I glanced over my shoulder and saw him getting a drink from the fountain. Almost as soon as I looked at him, he lifted his head and gazed at me. Like he could sense me too. The guy was just looking at me, nothing more, but it freaked me out somehow. I'd put up with his stares for a week, trying to avoid confrontation, but I couldn't take it anymore. He was the one acting inappropriately, not me. I couldn't get in trouble for just talking to him, right? "Hey," I said to him, slamming my locker shut. I readjusted the straps on my book bag and walked across the hall to where he stood. "Why are you staring at me?" "Because you're standing in front of me," Finn replied simply. He looked at me, his eyes framed by dark lashes, without any hint of embarrassment or even denial. It was definitely unnerving. "You're always staring at me," I persisted. "It's weird. You're weird." "I wasn't trying to fit in." "Why do you look at me all the time?" I knew I'd simply rephrased my original question, but he still hadn't given me a decent answer. "Does it bother you?" "Answer the question." I stood up straighter, trying to make my presence more imposing so he wouldn't realize how much he rattled me. "Everyone always looks at you," Finn said coolly. "You're very attractive." That sounded like a compliment, but his voice was emotionless when he said it. I couldn't tell if he was making fun of a vanity I didn't even have, or if he was simply stating facts. Was he flattering me or mocking me? Or maybe something else entirely? "Nobody stares at me as much as you do," I said as evenly as I could. "If it bothers you, I'll try and stop," Finn offered. That was tricky. In order to ask him to stop, I had to admit that he'd gotten to me, and I didn't want to admit that anything got to me. If I lied and said it was fine, then he would just keep on doing it. "I didn't ask you to stop. I asked you why," I amended. "I told you why." "No, you didn't." I shook my head. "You just said that everyone looks at me. You never explained why you looked at me." Almost imperceptibly the corner of his mouth moved up, revealing the hint of a smirk. It wasn't just that I amused him; I sensed he was pleased with me. Like he had challenged me somehow and I had passed. My stomach did a stupid flip thing I had never felt before, and I swallowed hard, hoping to fight it back. "I look at you because I can't look away," Finn answered finally. I was struck completely mute, trying to think of some kind of clever response, but my mind refused to work. Realizing that my jaw had gone slack and I probably looked like an awestruck schoolgirl, I hurried to collect myself. "That's kind of creepy," I said at last, but my words came out weak instead of accusatory. "I'll work on being less creepy, then," Finn promised. I had called him out on being creepy, and it didn't faze him at all. He didn't stammer an apology or flush with shame. He just kept looking at me evenly. Most likely he was a damn sociopath, and for whatever reason, I found that endearing. I couldn't come up with a witty retort, but the bell rang, saving me from the rest of that awkward conversation. Finn just nodded, thus ending our exchange, and turned down the hall to go to his next class. Thankfully, it was one of the few he didn't have with me. True to his word, Finn wasn't creepy the rest of the day. Every time I saw him, he was doing something inoffensive that didn't involve looking at me. I still got that feeling that he watched me when I had my back to him, but it wasn't anything I could prove. When the final bell rang at three o'clock, I tried to be the first one out. My older brother, Matt, picked me up from school, at least until he found a job, and I didn't want to keep him waiting. Besides that, I didn't want to deal with any more contact with Finn Holmes. I quickly made my way to the parking lot at the edge of the school lawn. Scanning for Matt's Prius, I absently started to chew my thumbnail. I had this weird feeling, almost like a shiver running down my back. I turned around, half expecting to see Finn staring at me, but there was nothing. I tried to shake it off, but my heart raced faster. This felt like something more sinister than a boy from school. I was still staring off, trying to decide what had me freaked out, when a loud honk startled me, making me jump. Matt sat a few cars down, looking at me over the top of his sunglasses. "Sorry." I opened the car door and hopped in, where he looked me over for a moment. "What?" "You looked nervous. Did something happen?" Matt asked, and I sighed. He took his whole big brother thing way too seriously. "No, nothing happened. School sucks," I said, brushing him off. "Let's go home." "Seat belt," Matt commanded, and I did as I was told. Matt had always been quiet and reserved, thinking everything over carefully before making a decision. He was a stark contrast to me in every way, except that we were both relatively short. I was small, with a decidedly pretty, feminine face. My brown hair was an untamed mess of curls that I kept up in loose buns. He kept his sandy blond hair trim and neat, and his eyes were the same shade of blue as our mother's. Matt wasn't overtly muscular, but he was sturdy and athletic from working out a lot. He had a sense of duty, like he had to make sure he was strong enough to defend us against anything. "How is school going?" Matt asked. "Great. Fantastic. Amazing." "Are you even going to graduate this year?" Matt had long since stopped judging my school record. A large part of him didn't even care if I graduated from high school. "Who knows?" I shrugged. Everywhere I went, kids never seemed to like me. Even before I said or did anything. I felt like I had something wrong with me and everyone knew it. I tried getting along with the other kids, but I'd only take getting pushed for so long before I pushed back. Principals and deans were quick to expel me, probably sensing the same things the kids did. I just didn't belong. "Just to warn you, Maggie's taking it seriously," Matt said. "She's set on you graduating this year, from this school." "Delightful." I sighed. Matt couldn't care less about my schooling, but my aunt Maggie was a different story. And since she was my legal guardian, her opinion mattered more. "What's her plan?" "Maggie's thinking bedtimes," Matt informed me with a smirk. As if sending me to bed early would somehow prevent me from getting in a fight. "I'm almost eighteen!" I groaned. "What is she thinking?" "You've got four more months until you're eighteen," Matt corrected me sharply, and his hand tightened on the steering wheel. He suffered from serious delusions that I was going to run away as soon as I turned eighteen, and nothing I could say would convince him otherwise. "Yeah, whatever." I waved it off. "Did you tell her she's insane?" "I figured she'd hear it enough from you." Matt grinned at me. "So did you find a job?" I asked tentatively, and he shook his head. He'd just finished an internship over the summer, working with a great architecture firm. He'd said it didn't bother him, moving to a town without much call for a promising young architect, but I couldn't help feeling guilty about it. "This is a pretty town," I said, looking out the window. We approached our new house, buried on an average suburban street among a slew of maples and elms. It actually seemed like a boring small town, but I'd promised I'd make the best of it. I really wanted to. I didn't think I could handle disappointing Matt anymore. "So you're really gonna try here?" Matt asked, looking over at me. We had pulled up in the driveway next to the butter-colored Victorian that Maggie had bought last month. "I already am," I insisted with a smile. "I've been talking to this Finn kid." Sure, I'd talked to him only once, and I wouldn't even remotely count him as a friend, but I had to tell Matt something. "Look at you. Making your very first friend." Matt shut off the car's engine and looked at me with veiled amusement. "Yeah, well, how many friends do you have?" I countered. He just shook his head and got out of the car, and I quickly followed him. "That's what I thought." "I've had friends before. Gone to parties. Kissed a girl. The whole nine yards," Matt said as he went through the side door into the house. "So you say." I kicked off my shoes as soon as we walked into the kitchen, which was still in various stages of unpacking. As many times as we'd moved, everyone had gotten tired of the whole process, so we tended to live out of boxes. "I've only seen one of these alleged girls." "Yeah, 'cause when I brought her home, you set her dress on fire! While she was wearing it!" Matt pulled off his sunglasses and looked at me severely. "Oh, come on. That was an accident and you know it." "So you say." Matt opened the fridge. "Anything good in there?" I asked and hopped onto the kitchen island. "I'm famished." "Probably nothing you'd like." Matt started sifting through the contents of the fridge, but he was right. I was a notoriously picky eater. While I had never purposely sought out the life of a vegan, I seemed to hate most things that had either meat in them or man-made synthetics. It was odd and incredibly irritating for the people who tried to feed me. Maggie appeared in the doorway to the kitchen, flecks of paint stuck in her blond curls. Layers of multicolored paint covered her ratty overalls, proof of all the rooms she had redecorated over the years. She had her hands on her hips, so Matt shut the fridge door to give her his full attention. "I thought I told you to tell me when you got home," Maggie said. "We're home?" Matt offered. "I can see that." Maggie rolled her eyes, and then turned her attention to me. "How was school?" "Good," I said. "I'm trying harder." "We've heard that before." Maggie gave me a weary look. I hated it when she gave me that look. I hated knowing that I made her feel that way, that I had disappointed her that much. She did so much for me, and the only thing she asked of me was that I at least try at school. I had to make it work this time. "Well, yeah ... but..." I looked to Matt for help. "I mean, I actually promised Matt this time. And I'm making a friend." "She's talking to some guy named Finn," Matt said corroborating my story. "Like a guy guy?" Maggie smiled too broadly for my liking. The idea of Finn being a romantic prospect hadn't crossed Matt's mind before, and he suddenly tensed up, looking at me with a new scrutiny. Fortunately for him, that idea hadn't crossed my mind either. "No, nothing like that." I shook my head. "He's just a guy, I guess. I don't know. He seems nice enough." "Nice?" Maggie gushed. "That's a start! And much better than that anarchist with the tattoo on his face." "We weren't friends," I corrected her. "I just stole his motorcycle. While he happened to be on it." Nobody had ever really believed that story, but it was true, and it was how I figured out that I could get people to do things just by thinking it. I had been thinking that I really wanted his bike, and then I was looking at him and he was listening to me, even though I hadn't said anything. Then I was driving his motorcycle. "So this really is gonna be a new start for us?" Maggie couldn't hold back her excitement any longer. Her blue eyes started to well with happy tears. "Wendy, this is just so wonderful! We can really make a home here!" I wasn't nearly as excited about it as she was, though I couldn't help but hope she was right. It would be nice to feel like I was home somewhere.   Copyright (c) 2011 by Amanda Hocking Excerpted from Switched by Amanda Hocking All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.