Cover image for Angus, thongs and full-frontal snogging : confessions of Georgia Nicolson / Louise Rennison.
Angus, thongs and full-frontal snogging : confessions of Georgia Nicolson / Louise Rennison.
Title Variants:
Angus, thongs & full-frontal snogging
Publication Information:
New York : Harper Tempest, [2001]

Physical Description:
247 pages ; 20 cm
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1 Bob Harkins Branch REN Paperback Teen Collection

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My mixed-breed cat, half domestic tabby, half Scottish wildcat. The size of a small Labrador, only mad.


Stupid underwear. What's the point of them, anyway? They just go up your bum, as far as I can tell.

Full-Frontal Snogging:

Kissing with all the trimmings, lip to lip, open mouth, tongues ... everything.

Her dad's got the mentality of a Teletubby (only not so developed). Her cat, Angus, is trying to eat the poodle next door. And her best friend thinks she looks like an alien -- just because she accidentally shaved off her eyebrows. Ergghhhlack. Still, add a little boy-stalking, teacher-baiting, and full-frontal snogging with a Sex God, and Georgia's year just might turn out to be the most fabbitty fab fab ever!

Author Notes

Louise Rennison was born in 1951 and grew up in Leeds, England and Wairakei, New Zealand. She studied performing arts at Brighton University, during which time she wrote and performed a one-woman autobiographical show, Stevie Wonder Felt My Face, about her experiences living in Notting Hill. The production won awards at the Edinburgh Festival and was adapted as a BBC television special. As a result of the show's success, she started writing a column entitled Dating Over 35 for a London newspaper and was eventually offered a book deal.

Her first book, Angus, Thongs and Full Frontal Snogging, was published in 1999. This was the first book in the Confessions of Georgia Nicolson series. The first two books in the series were adapted into a film entitled Angus, Thongs and Perfect Snogging. She also wrote the Misadventures of Tallulah Casey series. The first book in the series, Withering Tights, won the Roald Dahl Funny Prize in 2010 in the 7-14 category.

She also wrote and performed two other stage shows entitled Bob Marley's Gardener Sold My Friend and Never Eat Anything Bigger Than Your Head. She died on February 29, 2016 at the age of 63.

(Bowker Author Biography)

Reviews 2

Publisher's Weekly Review

British writer Rennison's subject matter may be the stuff of Bridget Jones's Diary, but the wit and bite of her delivery shares more in common with Monty Python. In a spectacular YA debut (Rennison is a comedy writer and columnist), the author creates a winning protagonist in the persona of 14-year-old Georgia Nicolson, whose wry observations and self-deprecating humor covers everything from prudish parents and bed-wetting three-year-old siblings to errant cat behavior and kissing (aka snogging) lessons. Teens will discover that nothing is sacred here (e.g., "Talking of breasts, I'm worried that I may end up like the rest of the women in my family, with just the one bust, like a sort of shelf affair"). Rennison exquisitely captures the fine art of the adolescent ability to turn chaos into stand-up comedy. For instance, when Georgia's father finds a new job in New Zealand, the teen says she's already formed her opinion of the country based on the TV show Neighbours; when her mother says, "Well, that's set in Australia," Georgia thinks, "What is this, a family crisis or a geography test?" Written as diary entries, the novel flouts the conceit, as when Georgia reports on a tennis match that she's playing concurrently ("I fall to my knees like McEnroe and the crowd is going mad"). The author bio indicates that Rennison is working on two more Georgia books; readers can only hope this heroine will keep them laughing all the way through high school. Ages 12-up. (May) (c) Copyright PWxyz, LLC. All rights reserved

Horn Book Review

(Young Adult) Sincerest flattery was surely Louise Rennison's intention with this unabashed imitation of Helen Fielding's adult bestseller, Bridget Jones's Diary. Fourteen-year-old Georgia Nicolson's journal is just like Bridget's: improbable but undeniably funny, with our comic British heroine forever finding herself in embarrassing predicaments. Like Bridget, Georgia is obsessed with her appearance (here it's her nose, not her thighs), has the worst luck with the opposite sex, takes the occasional stab at yoga to achieve ""inner peace"" (Bridget's mantra is ""inner poise""), finds great comfort in lists and resolutions, lusts after Colin Firth's Mr. Darcy in the BBC's Pride and Prejudice (a truly blatant similarity), and has endless discussions with her girlfriends about ""what men say and what they mean."" As in Fielding's novel, it's personality rather than plot that carries the book, and while Georgia isn't quite as hilarious as Bridget, she's a close second. An often-angry adolescent (rather than a somewhat-mellowed thirty-something), Georgia is, realistically enough, more mean-spirited than Bridget. And while Georgia's derogatory comments about lesbians are excessive-and only occasionally funny-they're perfectly believable coming from a less-than-confident, somewhat na+ve teen. One edge this American edition has over its adult counterpart is that the Brit talk has been left in, with an appended glossary provided by Georgia herself. This teenage Bridget Jones will appeal to young readers more interested in the concerns of their own age group, and Rennison's fans, like Helen Fielding's, will be glad to know there's a sequel forthcoming. It does seem less like writing and more like copying, but Bridget herself would probably applaud the author's audacity. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.

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