Cover image for Neverworld wake / Marisha Pessl.
Neverworld wake / Marisha Pessl.

First edition.
Publication Information:
New York : Delacorte Press, an imprint of Random House Children's Books, [2018]

Physical Description:
327 pages ; 22 cm
"A group of teens who all attended the same elite prep school reunite a year after graduation. After a night on the town, the teens are faced with an impossible choice--only one of them can live and the decision must be unanimous"-- Provided by publisher.


Call Number
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Home Location
PES Book Teen Collection

On Order



Five friends. Only one can survive the Neverworld Wake. Who would you choose?

From the acclaimed New York Times bestselling author of Special Topics in Calamity Physics and Night Film comes an absorbing psychological suspense thriller in which fears are physical and memories come alive.

"A thriller that will grip readers from the start." --Hypable

Once upon a time, back at Darrow-Harker School, Beatrice Hartley and her five best friends were the cool kids, the beautiful ones. Then the shocking death of Jim--their creative genius and Beatrice's boyfriend--changed everything.

One year after graduation, Beatrice is returning to Wincroft--the seaside estate where they spent so many nights sharing secrets, crushes, plans to change the world--hoping she'll get to the bottom of the dark questions gnawing at her about Jim's death.

But as the night plays out in a haze of stilted jokes and unfathomable silence, Beatrice senses she's never going to know what really happened.

Then a mysterious man knocks on the door. Blithely, he announces the impossible: time for them has become stuck, snagged on a splinter that can only be removed if the former friends make the harshest of decisions.

Now Beatrice has one last shot at answers . . . and at life.

And so begins the Neverworld Wake.

A Chicago Public Library Best Book of the Year

" Beautifully creepy . . . . A mystery within a mystery." -- The New York Times

"A truly eerie reading experience." -- Nylon

"The first must-read of beach season." -- Town & Country

"A dark and twisty tale brimming with psychological suspense ." --Bustle

Author Notes

Marisha Pessl is the author of Night Film and Special Topics in Calamity Physics, which won the John Sargent Sr. First Novel Prize (now the Center for Fiction's Flaherty-Dunnan First Novel Prize) and was selected as one of the 10 Best Books of the Year by The New York Times Book Review . Pessl grew up in Asheville, North Carolina, and currently resides in New York City.

Reviews 3

Publisher's Weekly Review

Beatrice Hartley, 19, has spent the past year distancing herself from her four best friends after the mysterious death of her boyfriend, Jim, in their senior year. With summer ending and the former friends gathering to celebrate a birthday, Bee decides to find out what they know. The reunion doesn't go as expected, and a near-fatal drunk-driving accident brings the teens into the Neverworld, a place between life and death, where they live the same day over and over again until they can agree on who gets to survive. Caught between trying to save her life and solving the mystery surrounding Jim's death, Bee discovers that everyone has a devastating secret. Bestselling adult writer Pessl (Special Topics in Calamity Physics) adeptly creates a compelling nightmare world while maintaining a foothold in realism and providing many wholly unexpected developments. She doesn't shy away from painting her characters as deeply flawed, allowing their choices in the Neverworld to show who they truly are. Thought-provoking and suspenseful, Pessl's YA debut delves into questions of whether even close friends are truly knowable. Ages 12-up. Agent: Amanda Urban, ICM. (June) © Copyright PWxyz, LLC. All rights reserved.

New York Review of Books Review

GIVE ME YOUR HAND, by Megan Abbott. (Little, Brown, $26.) Abbott, who always immerses readers in hothouse subcultures in her novels - cheerleading, gymnastics - here explores the relationship between competitive scientists at a cutthroat university laboratory. THE SINNERS, by Ace Atkins. (Putnam, $27.) The latest crime novel featuring Sheriff Quinn Colson revolves around a high-end marijuana operation, Fannie Hathcock's thriving strip joint/ brothel and a crooked trucking outfit based in Tupelo, Miss., that cons drivers into hauling stolen goods. ONLY TO SLEEP, by Lawrence Osborne. (Hogarth, $26.) A thriller that jolts Philip Marlowe, Raymond Chandler's iconic private investigator, out of his quiet Mexican retirement and back into the world of scams and seductions. Osborne, who worked as a reporter along the border in the early 1990s, knows Mexico well and he passes that knowledge along to Marlowe. CONAN DOYLE FOR THE DEFENSE: The True Story of a Sensational British Murder, a Quest for Justice, and the World's Most Famous Writer, by Margalit Fox. (Random House, $27.) Fox, a recently retired obituaries writer for The Times, tells the thrilling story of Arthur Conan Doyle's involvement in a real-life case that might have intrigued his hero, Sherlock Holmes. A DOUBLE LIFE, by Flynn Berry. (Viking, $26.) In this thriller, a London doctor searches for her father, a man of power who long ago disappeared after a murder it appears he committed. Berry tells stories about women who seethe over the knowledge of violence and are fueled by a howling grief for its victims. AFTER THE MONSOON, by Robert Karjel. (Harper/HarperCollins, $26.99.) Karjel's Nordic-noir thriller refreshingly shifts the action from bleak Scandinavia to Djibouti, at the Horn of Africa, where spies and kidnappers converge and Swedish special forces confront the region's jihadists. THE PRICE YOU PAY, by Aidán Truhen. (Knopf, $25.95.) Imagine "Pulp Fiction" crossed with Martin Amis on mescaline, and you'll have a sense of this cocaineinfused, high-octane caper, a brilliant latticework of barbed jokes, subtle observations and inventive misbehaviors at once knowing and brutal. NEVERWORLD WAKE, by Marisha Pessl. (Delacorte, $18.99.) Pessl's first young adult novel is a dazzling psychological thriller in which four high school classmates determine to find answers about the death of a friend. THE BANKER'S WIFE, by Cristina Alger. (Putnam, $27.) In Alger's cerebral, expertly paced Swiss thriller, an American expat wife sorts through the conflicting stories surrounding her husband's death. The full reviews of these and other recent books are on the web:

Library Journal Review

Pessl's (Special Topics in Calamity Physics; Night Film) young adult debut is a twisting, turning mystery involving five young people-Beatrice, Whitley, Martha, Kip, and Cannon-who once attended the same Rhode Island boarding school brought together a year after the tragic loss of their friend Jim. A tragic accident during their reunion leads them to the Neverworld Wake, a time loop in which they are trapped unless they unanimously select one of their group to survive. The story is at times fascinating but generally repetitive. The jokes are stilted, there is often mention or discussion of suicide, and the privileged characters are somewhat dull. Read by Broadway and TV actress Phoebe Strole, who provides a pleasant narration with distinct character voices. VERDICT Despite its flaws, this may be of interest to fans of Pessl and listeners who enjoy suspense stories in fantasy settings.-Denise -Garofalo, Mount Saint Mary Coll. Lib., Newburgh, NY © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.



I hadn't spoken to Whitley Lansing--or any of them--in over a year.   When her text arrived after my last final, it felt inevitable, like a comet tearing through the night sky, hinting of fate.    Too long. WTF. #notcool. Sorry. My Tourette's again. How was your freshman year? Amazing? Awful?   Seriously. We miss you.   Breaking the silence bc the gang is heading to Wincroft for my bday. The Linda will be in Mallorca & ESS Burt is getting married in St. Bart's for the 3rd time. (Vegan yogi.) So it's ours for the weekend. Like yesteryear.   Can you come? What do you say Bumblebee?   Carpe noctem.       Seize the night.   She was the only girl I knew who surveyed everybody like a leather-clad Dior model and rattled off Latin like it was her native language.   "How was your exam?" my mom asked when she picked me up.   "I confused Socrates with Plato and ran out of time during the essay," I said, pulling on my seat belt.   "I'm sure you did great." She smiled, a careful look. "Anything else we need to do?"   I shook my head.   My dad and I had already cleared out my dorm room. I'd returned my textbooks to the student union to get the 30 percent off for next year. My roommate had been a girl from New Haven named Casey who'd gone home to see her boyfriend every weekend. I'd barely seen her since orientation.   The end of my freshman year at Emerson College had just come and gone with the indifferent silence usually reserved for a going-out-of-business sale at a mini-mall.   "Something dark's a-brewin'," Jim would have told me.           I had no plans all summer, except to work alongside my parents at the Captain's Crow.   The Captain's Crow--the Crow, it's called by locals--is the seaside cafe and ice cream parlor my family owns in Watch Hill, Rhode Island, the tiny coastal village where I grew up.   Watch Hill, Rhode Island. Population: You Know Everyone.   My great-grandfather Burn Hartley opened the parlor in 1885, when Watch Hill was little more than a craggy hamlet where whaling captains came to shake off their sea legs and hold their children for the first time before taking off again for the Atlantic's Great Unknowns. Burn's framed pencil portrait hangs over the entrance, revealing him to have the mad glare of some dead genius writer, or a world explorer who never came home from the Arctic. The truth is, though, he could barely read, preferred familiar faces to strange ones and dry land to the sea. All he ever did was run our little dockside restaurant his whole life, and perfect the recipe for the best clam chowder in the world.   All summer I scooped ice cream for tan teenagers in flip-flops and pastel sweaters. They came and went in big skittish groups like schools of fish. I made cheeseburgers and tuna melts, coleslaw and milk shakes. I swept away sand dusting the black-and-white-checkered floor. I threw out napkins, ketchup packets, salt packets, over‑21 wristbands, Del's Frozen Lemonade cups, deep-sea fishing party boat brochures. I put lost cell phones beside the register so they could be easily found when the panic-stricken owners came barging inside: "I lost my . . . Oh . . . thank you, you're the best!" I cleaned up the torn blue tickets from the 1893 saltwater carousel, located just a few doors down by the beach, which featured faded faceless mermaids to ride, not horses. Watch Hill's greatest claim to fame was that Eleanor Roosevelt had been photographed riding a redhead with a turquoise tail sidesaddle. (It was a town joke how put out she looked in the shot, how uncomfortable and buried alive under her plate-tectonic layers of ruffled skirt.)   I cleaned the barbecue sauce off the garbage cans, the melted Wreck Rummage off the tables (Wreck Rummage was every kid's favorite ice cream flavor, a mash‑up of cookie dough, walnuts, cake batter, and dark chocolate nuggets). I Cloroxed and Fantasticked and Mr. Cleaned the windows and counters and doorknobs. I dusted the brine off the mussels and the clams, polishing every one like a gemstone dealer obsessively inspecting emeralds. Most days I rose at five and went with my dad to pick out the day's seafood when the fishing boats came in, inspecting crab legs and fluke, oysters and bass, running my hands over their tapping legs and claws, barnacles and iridescent bellies. I composed song lyrics for a soundtrack to a made‑up movie called Lola Anderson's Highway Robbery, drawing words, rhymes, faces, and hands on napkins and take-out menus, tossing them in the trash before anyone saw them. I attended grief support group for adolescents at the North Stonington Community Center. There was only one other kid in attendance, a silent boy named Turks whose dad had died from ALS. After two meetings he never returned, leaving me alone with the counselor, a jittery woman named Deb who wore pantsuits and wielded a three-inch-thick book called Grief Management for Young People.   " 'The purpose of this exercise is to construct a positive meaning around the lost relationship,' " she read from chapter seven, handing me a Goodbye Letter worksheet. " 'On this page, write a note to your lost loved one, detailing fond memories, hopes, and any final questions.' "   Slapping a chewed pen that read tabeego island resorts on my desk, she left. I could hear her on the phone out in the hall, arguing with someone named Barry, asking him why he didn't come home last night.   I drew a screeching hawk on the Goodbye Letter, with lyrics to a made‑up Japanese animated film about a forgotten thought called Lost in a Head.   Then I slipped out the fire exit and never went back.   I taught Sleepy Sam (giant yawn of a teenager from England visiting his American dad) how to make clam cakes and the perfect grilled cheese. Grill on medium, butter, four minutes a side, six slices of Vermont sharp cheddar, two of fontina. For July Fourth, he invited me to a party at a friend of a friend's. To his shock, I actually showed. I stood by a floor lamp with a warm beer, listening to talk about guitar lessons and Zach Galifianakis, trying to find the right moment to escape.   "That, by the way, is Bee," said Sleepy Sam. "She does actually speak, I swear."   I didn't mention Whitley's text to anyone, though it was always in the back of my mind.           It was the brand-new way-too-extravagant dress I'd bought but never taken out of the bag. I just left it there in the back of my closet, folded in tissue paper with the receipt, the tags still on, with intention of returning it.   Yet there was still the remote possibility I'd find the courage to put it on.   I knew the weekend of her birthday like I knew my own: August 30.   It was a Friday. The big event of the day had been the appearance of a stray dog wandering Main Street. It had no tags and the haunted look of a prisoner of war. He was gray, shaggy, and startled with every attempt to pet him. A honk sent him skidding into the garbage cans behind the Captain's Crow.   "See that yellow salt-bed mud on his back paws? That's from the west side of Nickybogg Creek," announced Officer Locke, thrilled to have a mystery on his hands, his first of the year.   That stray dog had been the talk all that day--what to do with him, where he'd been--and it was only much later that I found my mind going back to that dog drifting into town out of the blue. I wondered if he was some kind of sign, a warning that something terrible was coming, that I should not take the much-exalted and mysterious Road Less Traveled, but the one well trod, wide-open, and brightly lit, the road I knew.   By then it was too late. The sun had set. Sleepy Sam was gone. I'd overturned the cafe chairs and put them on the tables. I'd hauled out the trash. And anyway, that flew in the face of human nature. No one ever heeded a warning sign when it came. Excerpted from Neverworld Wake by Marisha Pessl All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.